Two
days back I woke up to see social media upset and demanding PEMRA to ban a play
called “Merey paas tum ho”. The lead
actress was trolled for choosing the worst role of her life and much up-roar was
made about a “scandalous pink nighty”
in one of the episodes.
Since I
had not watched the play I rushed to YouTube to see what the hangaama was about. To my surprise the
play had a typical storyline of a middle class government employee Danish
(Humanyon Saeed) with a pretty wife
Mehwish (played by Aieza Khan) and a kid, struggling to make ends meet because
he is naïve and honest. His wife on the other hand dreams of a better lifestyle
with luxuries. A lovable family sets the picture perfect scene of the first
episode, till the entry of a rich business man Shahwar played by none other than
Adnan Siddiuqi.
Shahwar
spots Mehwish among common friends and finds her attractive and starts giving
her compliments on her beauty, the over possessive husband finds the sitaution
discomforting and starts to act insecure. Despite of being aware of the rich mans bad intentions he chooses to be friends with him and visits his house to meet him socially, reasons only known to him.
The play quickly takes a turn when Mehwish ends up working for Shahwar with the permission of her husband. Her job description is just to give him company and comfort him in times of distress, up until the platonic relationship turns into an extra martial-affair with both flying off to Islamabad for a day, without informing Mahwish’s husband of her travel plans.
The play quickly takes a turn when Mehwish ends up working for Shahwar with the permission of her husband. Her job description is just to give him company and comfort him in times of distress, up until the platonic relationship turns into an extra martial-affair with both flying off to Islamabad for a day, without informing Mahwish’s husband of her travel plans.
The
next scene takes place in a hotel with two inter-connected rooms and Mehwish
wearing a pink nighty; rather
symbolic to show the intensity of the affair. She is then seen extremely
worried that her flight from Islamabad to Karachi got delayed due to bad weather
and if she doesn’t reach home on time what will the husband say or do. The
episode ends with the husband finding out about her day trip and practically
catching her red handed at the airport and taking her home silently as an
expression of his love for his wife.
After
watching the play and seeing the bashing on social media, I wonder what is it
that people are so upset about; after all it’s just a play. Has the play struck
a wrong cord for our society?
The answer is very obvious, Infidelity is
morally wrong. Extremely wrong morally and religiously for both MEN & WOMEN
on all levels.
But it’s wrong on a superlative degree if the infidel
is a married woman with a kid. If a man
is found cheating he still has an option of second marriage to make it kosher.The
fiber of the society is shaken if a woman god forbid finds some other man
attractive. Which brings us to the next
big question, why would a married woman feel the need to cheat, when she has a
loving husband and an adorable kid, what else does she want from life. The easiest excuse is to say that a woman or
let say Mehwish in the play is a gold digger, who is abandoning her wonderful
life for greener pastures. Is it only
money that makes a woman cheat in a relationship??
If we
consider the circumstances of the above mentioned play we see that the female
protagonist is not a cheat to begin with, she didn’t plan to find a rich man
and leave her previous relationship, she is from a humble and conservative background.
Then why did she choose to take a step so unforgiving both morally and
religiously.
Let’s
have a look at her relationship with her husband, the almost too good to be
true husband in the above play can be partially blamed for this distress in the
family. The man Danish in the play is 24/7 vulnerable,
extremely overprotective, needs too much attention at all times as he has no
friends or social circle of his own, has no definite goals or ambitions in
life, every conversation with him is a sad saga of his failure to achieve the
best for the family, an emotional outbreak is waiting for the wife at every
discussion, she is continuously pampering his insatiable desire to be the hero
of the family, pretty exhausting I must say. He, in his almost decade old marriage
did nothing to grow financially or intellectually. His honesty refrains him
from being financially better-off, yet he never thought of doing some other ‘honest’ work or a part time job to make
things better money wise.
The second most important thing is that just
like Mehwish in the play, the women in our part of the world are never treated
like adults who have the right to choose good or bad for themselves. Most
choices are already made for them, firstly by their parents and secondly by the
man they tie the knot with, giving them no room to grow or have the ability or
capability of decision making. These
decisions can be from the choice of the outfit (which is often what the husband
likes), to handling attention given from outsiders. Women are simply not
prepared to handle the situation of the big bad world.
Women definitely need that intellectual growth to be able to protect and rescue themselves in
vulnerable situations and not fall prey to malicious desires. This ability will
only come when a woman is treated like an adult; given room to choose what is
morally right and the strength to bear the consequences of her choice. No sane
woman plans to cheat or break her home it’s just that circumstances lead to extreme
actions. The devil is seducing women and men both, by addressing the demons
buried deep inside the subconscious. How do we protect the institution of
marriage in such times? We cannot shun the outside world completely; the only
way to stay on track is to be able to address the danger that lies outside and
the confidence to fight that danger. This over protectiveness is actually
making women oblivious of their surroundings, they are unable to identify the danger and hence fall out of the relationship. Once she has the understanding , yet she still chooses to cheat then its best to let go of her.
Coming
back to the play, surprisingly, many viewers want Mehwish to pay for her actions, regret her wrong-doing and be damned for betraying her family, sadly infidel men in our plays
and society still find forgiveness for their actions but not women. There is no
forgiveness for women- anywhere.
Very well written.
ReplyDeletethankyou
ReplyDeleteSo aptly put into words!!!
ReplyDeleteLovely take on the infamous drama Hina. And very interesting points about women and society. I agree with what you say. And it's really heartbreaking to see how society esp other women see it is ok for guys to do something and not for girls. If something is morally wrong it should be for both genders ,even society's morals are gender biased. Also there is no support structure for married women in our society unfortunately. She is suppose to put up with all sorts of rubbish till death does them apart and even after that !! And if the marriage doesn't work out she is homeless and friendless. And honestly every woman is a gold digger be in any role wife, mother. Who wants to live noble and poor??
ReplyDeleteYes I agree Bushra. sigh!!
Delete