Skip to main content

Women Prayer areas: why is there always an argument?



4.35 pm: ladies prayer area of a popular Mall in Karachi…….
My focus was distracted by someone talking loudly. I tried my best to focus on the words of my Salah yet the loud talking did not stop. A lady was upset with someone who consciously or unconsciously (giving every person the benefit of doubt) walked in front of her while she was still in her prayer. She was upset that moving in front of her even though quickly had made her Salah null and void and that she had to do it all over again. She kept on complaining as to how in Shariah it’s not allowed and how people have no manners or respect for shariah law. For a minute I wondered if the women had already left who is she telling all this to. But she kept on complaining how she has to redo her prayer again not realizing that her loud complain was disturbing many in the surrounding who have no part in this. Sadly her complain didn’t stop, a few in the crowd tried to calm her down by asking her to move in front, as in public prayer areas for women the front rows are always empty and people just crowd and push in the last few rows making the exit of those who have already prayed difficult.



This is the scene in most public prayer areas of women, be it in the Mall, a club or even a women section for taraveeh prayer in few masjids in Ramadan. This brings us to an important question; do etiquettes of congregational prayers apply to prayer areas where people are praying individually and not as a group. As prayer in congregation start and ends together for all the people, whereas if we are praying individually we start and end differently. Secondly how long should we sit and wait for the other person to finish when we are in a public place and we all have our set of chores that needs to be done. Do we wait only for the person next to us or praying behind us or in front of us…… what do we do. My mom would often put her purse in front of her so if anyone wanted to pass they can it’s called a Sutrah, but there are many etiquette's we all must know, so here is some research on the issue so we learn the true etiquette's  of praying in public and achieve the true purpose of Salah.

With regard to the question mentioned above, if someone wants to pass in front of a person who is praying, one of the following scenarios must apply: 
1 – If he/she passes in front of the one who is praying, i.e., in the area between the spot where he/she puts his/her forehead when he prostrates and where he stands, this is haraam, and indeed it is a major sin as the Prophet (peace and blessings of Allaah be upon him) said: “If the one who passes in front of a person who is praying knew what (a burden of sin) he bears, it would be better for him to stand for forty rather than pass in front of him.” Abu’l-Nadar – one of the narrators – said: I do not know whether he said forty days or months or years. Narrated by al-Bukhaari, 510; Muslim, 507 – from Abu Juhaym (may Allaah be pleased with him). 
In this case it makes no difference whether the person has a sutrah (object to serve as a screen) or not. 
2 – If he passes in the area that is beyond the place where he prostrates. Two scenarios may apply in this case: 
(i)- If the one who is praying has set up a sutrah (object to serve as a screen). In this case it is permissible to pass beyond the sutrah, because the Prophet (peace and blessings of Allaah be upon him) said: “If any one of you prays, let him face towards something. If he cannot find anything, then let him set up a stick. If he cannot do that, then let him draw a line, then it will not matter if anyone passes in front of him.”
Narrated by Ahmad, 3/15; Ibn Maajah, 3063; Ibn Hibbaan, 2361. Ibn Hajar said in al-Buloogh, 249:
And it was narrated that Talhah (may Allaah be pleased with him) said: The Messenger of Allaah (peace and blessings of Allaah be upon him) said: “If one of you puts something in front of him that is like the back of a saddle, then let him pray and not worry about anyone who passes beyond that.” Narrated by Muslim, 499.
(ii)-If the one who is praying has not set up a sutrah, he has no more than the space in which he prostrates. This is the most correct scholarly opinion. It is permissible for the one who wants to pass in front of him to pass in the space beyond where he prostrates. That is because the prohibition mentioned in the hadeeth applies to passing in front of the one who is praying, and what is beyond the place where he prostrates is not counted as being in front of the one who is praying.
Shaykh Ibn ‘Uthaymeen (may Allaah have mercy on him) said, after mentioning the differences of scholarly opinion concerning the distance within which the worshipper should stop anyone from passing in front of him: 
The most correct opinion is that it is the distance between his feet and the place where he prostrates. That is because the one who is praying has no right to anything more than what he needs for his prayer. So he does not have the right to prevent the people from (using space) that he does not need. 
Al-Sharh al-Mumti’, 3/340. 
All of this has to do with one who is praying alone or is leading others in prayer. If he is a member of a congregation, then the sutrah of the imam is the sutrah for those who are behind him. 
Al-Bukhaari (may Allaah have mercy on him) said: Baab sutrat al-imam sutrah li man khalfahu (the sutrah of the imam is the sutrah of those who are behind him). 
Other then the above, the very basic manners are to switch off our cellphones and observe silence.
And ALLAH knows best. May Allah give us the power and focus to learn the correct ways and may we help each other and not judge each other. Ameen.




Comments

Popular posts from this blog

An infidel woman: The scandalous “pink nighty” in ‘Meray paas tum ho’.

Two days back I woke up to see social media upset and demanding PEMRA to ban a play called “M erey paas tum ho ”. The lead actress was trolled for choosing the worst role of her life and much up-roar was made about a “ scandalous pink nighty ” in one of the episodes. Since I had not watched the play I rushed to YouTube to see what the hangaama was about. To my surprise the play had a typical storyline of a middle class government employee Danish (Humanyon Saeed)   with a pretty wife Mehwish (played by Aieza Khan) and a kid, struggling to make ends meet because he is naïve and honest. His wife on the other hand dreams of a better lifestyle with luxuries. A lovable family sets the picture perfect scene of the first episode, till the entry of a rich business man Shahwar played by none other than Adnan Siddiuqi. Shahwar spots Mehwish among common friends and finds her attractive and starts giving her compliments on her beauty, the over possessive husband finds the sitaution

Finally a happy ending for Pyare Afzal

For the past few days the social media is buzzing with the wedding news of Hamza Ali Abbasi of fame Pyare Afzal. Hamza started his career with TV and after doing a few projects moved to the big screen, he is not only famous for the work he did on screen but his claim to fame is from his extremely vocal socio-political and religious views especially on social media, he is seldom politically correct and gets a lot of bashing for his opinions. This week he was again in the news for posts about his wedding announcement to Naimal Khawaar. His long post about “Platonic Relationships” has been the topic  of the grape wine. His definition of Halal relationship was a bit bizarre and was so not needed in the wedding announcement.   Many bashed him for being self righteous or holier than thou. Some called it a publicity stunt, which often the people in the media are accused off.     On August 25 th  2019, the social media was again highlighting his beautiful wedding ceremony; the s

‘The spirit of a WOMAN’

On Sunday, my OCD kicked in and I decided to clean the house. To make cleaning a bit interesting I selected some old classics of Nayyara Noor. I played my favorite song Kabhi Hum bhie khoobsurat theye … … and held on to the magic mop with dear life. Nayyara’s with her soul searching voice sang the beautiful lyrics written by Ahmed Shamim, I could not help ponder upon the simplicity of emotions and the deep sadness  embedded    in the lyrics of this song. I have listen to it a 100 times before, but somehow with age, the meaning of many things have changed so drastically that even I am surprised myself. The song talks about the beauty of emotions more than the physicality of the beauty itself, it emphasizes on the spirit and the joy found in that jubilant spirit. Somehow beauty and age is such an important thing for women, I am not sure if it is a big issue for men also, as their age or beauty is never discussed. But for women it’s a stark reality, we often have t